Everything here feels like a beginning.
It's a new season,
and love is growing on the trees.
I feel an excitement inside me
building to something,
a climax --
but only we drive forward
to separation --
Turn, turn, turn.
What strange tossing in a familiar sea.
In and out of water
re-learning how to breath.
I feel an excitement growing inside me
building to something
a tsunami --
but only we swim forward
to separ-
ation.
Turn, turn, turn.
The long awaited vista is peaking
out from behind this mountain
asking to be seen.
I feel an excitement growing inside me
building to something
a mountain peak --
but only we climb onward
to separation.
Turn
Wednesday, April 25, 2012
Tuesday, April 24, 2012
Monday, April 23, 2012
Red and Whites
It's a Tuesday night,
street lights been on,
buzzin'
loud as shit.
I'm on my street corner
'cause that's where I go
Tuesdays.
I'm just smokin'
my last three Red and Whites
'cause I save 'em --
I save 'em Tuesdays
s'I can smoke 'em here
and by the time they's all gone,
I know Tuesday's too.
Why I come here
is what most people demand.
"Get your ass home man,"
they tell me.
Guess you stop appreciatin'
street corners
when they's more like a bed --
more like a dinner table
more like a place of business
than a thinkin' spot.
Man, I don't really have reason
to be here tonight
on Tuesday
chose it pretty arbitrarily.
I just like settin'
and thinkin' with my three
Red and Whites.
Maybe I wanna watch people,
ya know?
Maybe I just wanna feel
like a part of the city --
part of the street
and not the streets,
like I belong
much as this bench
I worn in
belongs on this corner.
street lights been on,
buzzin'
loud as shit.
I'm on my street corner
'cause that's where I go
Tuesdays.
I'm just smokin'
my last three Red and Whites
'cause I save 'em --
I save 'em Tuesdays
s'I can smoke 'em here
and by the time they's all gone,
I know Tuesday's too.
Why I come here
is what most people demand.
"Get your ass home man,"
they tell me.
Guess you stop appreciatin'
street corners
when they's more like a bed --
more like a dinner table
more like a place of business
than a thinkin' spot.
Man, I don't really have reason
to be here tonight
on Tuesday
chose it pretty arbitrarily.
I just like settin'
and thinkin' with my three
Red and Whites.
Maybe I wanna watch people,
ya know?
Maybe I just wanna feel
like a part of the city --
part of the street
and not the streets,
like I belong
much as this bench
I worn in
belongs on this corner.
Sunday, April 22, 2012
Room of Squares
There were once entire afternoons
that I spent sprawled across my bed,
staring at the star shaped reflection of my body
in the round glass light fixture above my bed,
crooked
because I once hit it with my towel
on the way to the shower,
flailing, trying to fend off a large mosquito.
Sisters
Today I thought of Sarah's
day-of-the-week underpants.
How she liked to show them off,
proud to know which day it was
and proud of the fact
that she didn't have to remember
which day it was
because it was printed on her underpants.
Today I thought of the way
that Jenna did my hair
on the first day of 7th grade.
She gave me a scarf to borrow
and pulled it through my belt loops,
paired it with a blue shirt
(also hers)
and fixed my hair
in a smooth swoop
off to the side,
how I caught my reflection in the
framed wall hangings
and the glass doors that day.
I thought I was the most beautiful 7th grader
maybe ever.
Today I thought of Mom
and how I cried for a long time --
over days and months
and maybe several hours all at once
on one occasion,
sobbing about the absence of love
even though she was
holding me,
"Becky-pie,"
how what I didn't think I could feel then
is what I remember now.
Today I thought of all the times
Sarah asked me,
"Hey Becca,
wanna sleep in my bed tonight?"
how I said no most of the time,
because she had cold feet.
How, when I did agree,
she'd talk until it probably
wasn't worth it anymore
to fall asleep,
And how I wouldn't admit she was brilliant
until I missed her more
than I wanted to be the one that was brilliant.
And I miss the way she wore
day-of-the-week underwear.
day-of-the-week underpants.
How she liked to show them off,
proud to know which day it was
and proud of the fact
that she didn't have to remember
which day it was
because it was printed on her underpants.
Today I thought of the way
that Jenna did my hair
on the first day of 7th grade.
She gave me a scarf to borrow
and pulled it through my belt loops,
paired it with a blue shirt
(also hers)
and fixed my hair
in a smooth swoop
off to the side,
how I caught my reflection in the
framed wall hangings
and the glass doors that day.
I thought I was the most beautiful 7th grader
maybe ever.
Today I thought of Mom
and how I cried for a long time --
over days and months
and maybe several hours all at once
on one occasion,
sobbing about the absence of love
even though she was
holding me,
"Becky-pie,"
how what I didn't think I could feel then
is what I remember now.
Today I thought of all the times
Sarah asked me,
"Hey Becca,
wanna sleep in my bed tonight?"
how I said no most of the time,
because she had cold feet.
How, when I did agree,
she'd talk until it probably
wasn't worth it anymore
to fall asleep,
And how I wouldn't admit she was brilliant
until I missed her more
than I wanted to be the one that was brilliant.
And I miss the way she wore
day-of-the-week underwear.
Saturday, April 21, 2012
85 Degrees
Probably no one ever dies on days
when it's 85 degrees outside
and the sun is so close,
you can almost catch it's rays
on your tongue like snow.
But maybe farmers,
who have been waiting for rain
all spring long,
die inside
when it's 85 degrees
and the sun is on their tongue
instead of rain.
Probably no one ever dies.
I don't know...
no one should die today
when it's 85
degrees outside
Thursday, April 19, 2012
Critic of the Night
Lynne tells us "The audience
is stupid."
"You really have to knock them
over the head with it.
They don't know this music
the way you do.
So you have to show them what you've found."
Lynne tells us that we sound
like robots.
"Hey! You got through it!
but that's the easy part, yeah?
Give it some life! You've mastered the technical
now add the emotion.
And
that's the part that's really difficult.
It's easy to robot right through it,
yeah?"
So I knock the music out of the violin
and I swell to the highest note
like my true love is dying.
"Even more!"
she yells, smiling and nodding
at me as my bow flies
and my fingers prance.
I feel like a clown, as I overemphasize each note
each dynamic, each accent, each cadence.
But where did I get the idea
that playing well is embarrassing?
And now, as I listen to my peers,
trying to make music with their words,
I wish that Lynne were here.
"Louder!"
"Surprise me! Where is the emotion?
I don't know this piece,
you have to show it to me.
Can you try that again?
Yeah, just one more time so I can hear it.
Yep, that's it. Now let's do it again.
More!
That's great. Can you do even more?
Yeah,
even more."
It's not even about the words,
when you're reading.
Just like it's not about the notes,
when you're playing.
It's about how you play them.
It's about how you deliver them.
If you're not yelling the angry words that
your character is thinking,
why should I believe you
when you tell me he's angry.
If you aren't almost crying
when Ramona's true love is dying
how can you expect me to cry?
Lynne tells us "The audience
is stupid."
And if that's true,
then I guess, tonight,
that makes me a critic.
is stupid."
"You really have to knock them
over the head with it.
They don't know this music
the way you do.
So you have to show them what you've found."
Lynne tells us that we sound
like robots.
"Hey! You got through it!
but that's the easy part, yeah?
Give it some life! You've mastered the technical
now add the emotion.
And
that's the part that's really difficult.
It's easy to robot right through it,
yeah?"
So I knock the music out of the violin
and I swell to the highest note
like my true love is dying.
"Even more!"
she yells, smiling and nodding
at me as my bow flies
and my fingers prance.
I feel like a clown, as I overemphasize each note
each dynamic, each accent, each cadence.
But where did I get the idea
that playing well is embarrassing?
And now, as I listen to my peers,
trying to make music with their words,
I wish that Lynne were here.
"Louder!"
"Surprise me! Where is the emotion?
I don't know this piece,
you have to show it to me.
Can you try that again?
Yeah, just one more time so I can hear it.
Yep, that's it. Now let's do it again.
More!
That's great. Can you do even more?
Yeah,
even more."
It's not even about the words,
when you're reading.
Just like it's not about the notes,
when you're playing.
It's about how you play them.
It's about how you deliver them.
If you're not yelling the angry words that
your character is thinking,
why should I believe you
when you tell me he's angry.
If you aren't almost crying
when Ramona's true love is dying
how can you expect me to cry?
Lynne tells us "The audience
is stupid."
And if that's true,
then I guess, tonight,
that makes me a critic.
Tuesday, April 17, 2012
Banter in my bedroom
Banter in my bedroom
Prattle between two women,
my sister and my mother.
"The Lemon Zinger's not even open yet!"
"Well what the world."
And goldfish aplenty
passed back and forth
between them.
"Are you looking for inspiration or something?"
Yes.
Prattle between two women,
my sister and my mother.
"The Lemon Zinger's not even open yet!"
"Well what the world."
And goldfish aplenty
passed back and forth
between them.
"Are you looking for inspiration or something?"
Yes.
Monday, April 16, 2012
Room
What it's like to live in a room you don't own:
It's like finishing off a glass of iced tea
and realizing you drank the backwash
of the kid sitting next to you.
It's like decorating a Christmas tree perfectly
and watching the Grinch take it from your living room.
It's like hurting somebody's feelings
and knowing each time you see them
that you were never forgiven.
It's the moment when your handlebars start to shake
and you know that shortly
you will fall off your bike.
What it's like to live in a room you don't own:
It's like not having a home.
It's like finishing off a glass of iced tea
and realizing you drank the backwash
of the kid sitting next to you.
It's like decorating a Christmas tree perfectly
and watching the Grinch take it from your living room.
It's like hurting somebody's feelings
and knowing each time you see them
that you were never forgiven.
It's the moment when your handlebars start to shake
and you know that shortly
you will fall off your bike.
What it's like to live in a room you don't own:
It's like not having a home.
Sunday, April 15, 2012
Story of a Celiac
Today I ate a piece of bread
It smelled so good
but now my shit is red.
The bread baby was kicking
whilest my saucy fingers
I was licking.
Auf's klo! Auf's klo!
Toilet paper
there was no more
Dreamlessly I lie awake
regretting the bread
I dared to take.
It smelled so good
but now my shit is red.
The bread baby was kicking
whilest my saucy fingers
I was licking.
Auf's klo! Auf's klo!
Toilet paper
there was no more
Dreamlessly I lie awake
regretting the bread
I dared to take.
Saturday, April 14, 2012
The Old Fish Mufasa
Things are better for Laura
now that Mufasa is living in the lounge.
She still feeds him several pellets a day,
too many,
according to the instructions.
They, the instructions being they,
also say
that over-eating
causes death
in Mufasa-fish.
She might be spiteful.
Such a perverted way to take a life --
She thinks she may remember hearing
once, at a reunion on her mother's side
or was it a dinner with a cousin
come to visit,
that her family
descended from an undocumented
bastard child,
the product of a drunken Egdar Allen Poe.
And now,
as she feeds Mufasa to death -- smiling and cooing at him,
she knows that it must be true.
They say that ancestry
starts to shine through at this age,
don't they?
%%%%
You have to recognize,
she tells herself,
when a relationships is simply
detrimental
to you and your mental health.
Who knows,
if she had not removed him from her room,
he may have become physically abusive as well.
Maybe he was hiding shark's teeth
in that tiny sucking
circle mouth,
so small
that they could pierce human skin without ever triggering a nerve
to tell the brain to send a message saying,
"Pain! Pain in the finger that Mufasa is secretly biting!"
His biting would of course be
disguised as kisses.
And his microscopic shark teeth,
laced with poison,
would easily take her innocent finger
victim!
So unassuming,
so ready to believe in love!
"What a tragedy,"
they would say at the funeral.
And after the tear streaked faces
empty the church,
her mother would rush home
to find that damned Mufasa
and fry him to a crisp!
seasoning him with her tears.
Furthermore,
you have to know
how to protect yourself.
(And here she starts to feel quite proud --
her chest might puff out slightly, but they don't notice --
proud of how much better she is feeling
now that Mufasa,
the betta-fish,
is no longer angry-eyeing her back
as she types on her keyboard
or cuts with her scissors
or draws with her pencils.)
How to skillfully defuse the aggressor.
In this case,
I simply removed him,
she tells her imaginary patients,
in for their afternoon group counseling session.
They take note of it
on their lined yellow notepads.
"How to defuse aggressor:
*remove"
She smiles at them
and they nod and smile back,
acknowledging her great wisdom,
knowing that they got every penny's worth
of the money that they paid
to see the great
Laura Ellen Poe.
No! that won't do as a doctor's name,
"Bad for business, I'm afraid"
business Laura tells the doctor.
She leans back in her chair,
wondering about good doctor names.
They must get more business!
she concludes.
And someone must have studied this.
She swivels to face her laptop,
where the answer to everything
waits to be found.
But before she has figured out how to fill the Google box
for this particular search,
she smiles, realizing that she is finally free
to play again.
Who needs friends like Mufasa anyway?
Yes things are better for Laura
now that Mufasa is living in the lounge.
now that Mufasa is living in the lounge.
She still feeds him several pellets a day,
too many,
according to the instructions.
They, the instructions being they,
also say
that over-eating
causes death
in Mufasa-fish.
She might be spiteful.
Such a perverted way to take a life --
She thinks she may remember hearing
once, at a reunion on her mother's side
or was it a dinner with a cousin
come to visit,
that her family
descended from an undocumented
bastard child,
the product of a drunken Egdar Allen Poe.
And now,
as she feeds Mufasa to death -- smiling and cooing at him,
she knows that it must be true.
They say that ancestry
starts to shine through at this age,
don't they?
%%%%
You have to recognize,
she tells herself,
when a relationships is simply
detrimental
to you and your mental health.
Who knows,
if she had not removed him from her room,
he may have become physically abusive as well.
Maybe he was hiding shark's teeth
in that tiny sucking
circle mouth,
so small
that they could pierce human skin without ever triggering a nerve
to tell the brain to send a message saying,
"Pain! Pain in the finger that Mufasa is secretly biting!"
His biting would of course be
disguised as kisses.
And his microscopic shark teeth,
laced with poison,
would easily take her innocent finger
victim!
So unassuming,
so ready to believe in love!
"What a tragedy,"
they would say at the funeral.
And after the tear streaked faces
empty the church,
her mother would rush home
to find that damned Mufasa
and fry him to a crisp!
seasoning him with her tears.
Furthermore,
you have to know
how to protect yourself.
(And here she starts to feel quite proud --
her chest might puff out slightly, but they don't notice --
proud of how much better she is feeling
now that Mufasa,
the betta-fish,
is no longer angry-eyeing her back
as she types on her keyboard
or cuts with her scissors
or draws with her pencils.)
How to skillfully defuse the aggressor.
In this case,
I simply removed him,
she tells her imaginary patients,
in for their afternoon group counseling session.
They take note of it
on their lined yellow notepads.
"How to defuse aggressor:
*remove"
She smiles at them
and they nod and smile back,
acknowledging her great wisdom,
knowing that they got every penny's worth
of the money that they paid
to see the great
Laura Ellen Poe.
No! that won't do as a doctor's name,
"Bad for business, I'm afraid"
business Laura tells the doctor.
She leans back in her chair,
wondering about good doctor names.
They must get more business!
she concludes.
And someone must have studied this.
She swivels to face her laptop,
where the answer to everything
waits to be found.
But before she has figured out how to fill the Google box
for this particular search,
she smiles, realizing that she is finally free
to play again.
Who needs friends like Mufasa anyway?
Yes things are better for Laura
now that Mufasa is living in the lounge.
Friday, April 13, 2012
Rosie
I've got a pocket full of change,
but I don't want to.
And you,
you've got a pocket full of empty
hands.
Here we stand.
Winds that take and toss my hair
Does it look alright to you?
You don't care.
Hands in your pockets
empty stare.
I've got a pocket full of change,
but I don't want to.
And you,
you've got a pocket full of empty
hands.
Here we stand.
Always wondered what those hands would hold
most days you're too scared
or it's too cold
empty hands in your pockets
I've got a pocket full of change,
but I don't want to.
And you,
you've got a pocket full of empty
hands.
Here we stand.
but I don't want to.
And you,
you've got a pocket full of empty
hands.
Here we stand.
Winds that take and toss my hair
Does it look alright to you?
You don't care.
Hands in your pockets
empty stare.
I've got a pocket full of change,
but I don't want to.
And you,
you've got a pocket full of empty
hands.
Here we stand.
Always wondered what those hands would hold
most days you're too scared
or it's too cold
empty hands in your pockets
I've got a pocket full of change,
but I don't want to.
And you,
you've got a pocket full of empty
hands.
Here we stand.
Thursday, April 12, 2012
The New Fish, Mufasa
All that she can think about today
%%%%
You would not believe
is fish.
It's not a good enough reason
to skip class --
for most people,
but anything is a reason to skip
when you're Laura.
She sits on her stool,
perched at eye level
with the Betta,
Mufasa.
He looks terribly angry!
What an unfortunate configuration
for a face.
Then again,
he is only a fish,
and there are no other fish for him
to impress.
Why not have an unfortunately configured face
if you're going to be alone?
if you're going to be alone?
Oh, it's not so bad really.
Someone would love him.
probably.
probably.
Maybe she should buy him a mate.
Mail order bride
for the fish,
Mufasa!
Ha! That makes her laugh.
When she pokes her finger into the water
for him to come
and kiss
with his fish lips
as, she's told, fish do,
he convulses,
hitting glass and splashing water.
Could it have been real anger
in his eyes?
He's only a fish.
%%%%
You would not believe
how hurtful
the darting spastic
movement of a fish
can be.
Laura is embarrassed by
Mufasa's rejection
of her pinky finger.
She returns to her desk,
back to
Mufasa
so that she can't see him.
%%%%
If you talk to plants,
it's said
that they'll grow.
Laura believes, it is the plant's
way of expressing love.
Perhaps a fish can show love too.
And perhaps Mufasa will learn to love
if she talks to him
the way she talks to her plants.
So Laura tries,
nervous --
Talking is hard enough with people...
After the awkwardness
of the first broken silence is over,
she begins to enjoy it.
No excessive nodding, needless smiles
"Uh-huh"s and "Mmm-hmm"s
from a fish.
He just floats,
almost transfixed.
She sings to
Mufasa,
songs from Sunday school,
long forgotten
somehow surfacing again
provoked by her tender feelings
toward the fish,
Mufasa.
He swims towards her
a little
from his previous spot,
plastered against the wall of the tank
furthest from her.
She smiles.
He plasters himself back to the wall
refusing to look at her again.
How dare she think
that a few songs
will win the friendship
of Mufasa!
"This has been good."
She stands
ready to walk back
to her desk.
She stands
ready to walk back
to her desk.
"We'll talk again soon,"
and she leaves him
for today.
Wednesday, April 11, 2012
Magellan's Truth
I love you to the ends of the earth,
which --
there are not.
My love for you with no end,
like the circling
spherical constant curve
of our planet,
in every direction,
bringing you back to the start,
to the heart,
without fail.
Like the cycle of blood --
out through my arteries
back through my veins
to my heart
like the quickening completion
of each beat's circulation
when your fingertips brush against me
unexpectedly
This is how I love you --
Again
and again
to the earth's ends,
which are not.
Tuesday, April 10, 2012
Tonight I Had to Study
Homework
sucks the fun
out of life.
So many poems
that will never
be
...
so much poetry.
Homework
sucks the fun
out of everything.
Homework
sucks the life
out of fun.
So many times
I will never
enjoy
...
so much anxiety.
Homework
sucks the life
out of fun.
sucks the fun
out of life.
So many poems
that will never
be
...
so much poetry.
Homework
sucks the fun
out of everything.
Homework
sucks the life
out of fun.
So many times
I will never
enjoy
...
so much anxiety.
Homework
sucks the life
out of fun.
Monday, April 9, 2012
Found in the Attic
Denim bag with a flannel flap
as big as my hand
strung on a strap.
I once had a coat of denim
that matched.
Brass snapping buttons,
red flannel neck.
I hated that coat
how it puffed,
like my hair
how it made me so big --
but my mom made me wear
it.
Denim purse with a brass zipper
closes and opens
to hid my small treasure,
a wallet with slots
where the swipee cards fit
and each fabric pocket
has a card in it.
Five colored cards
all plastic and sleek
"Leola Family Pool - 2003"
Denim purse with a small red bow
that matched the big puffy coat
that I hated
that hid the treasured wallet
that I loved
that held cards that bought
doll clothes and food
from fake stores.
And still I treasure these things
I only wish
that my plastic cards
could buy me more memories
like these.
Sunday, April 8, 2012
Tied
We love
with noses
buried in shirt collars,
fingers
playing on the fringes
of new haircuts.
We love
with arms
encircling shoulders
chests
and stomachs
voices
whispering and whistling
clandestine words.
We love
with tears
on shirt sleeves
fingers
pilling at the fringes
of love.
with noses
buried in shirt collars,
fingers
playing on the fringes
of new haircuts.
We love
with arms
encircling shoulders
chests
and stomachs
voices
whispering and whistling
clandestine words.
We love
with tears
on shirt sleeves
fingers
pilling at the fringes
of love.
Saturday, April 7, 2012
Unknown
They decided that instead of a half-way house
Grandma could have me.
I woke up this morning under her NASCAR blanket.
No clock in the wood paneled basement,
but I know it's 7.
You don't break a year of routine
in one day.
She shows me where the Cinnamon Toast Crunch is kept.
I find the bowl myself, and she finds for me the soy milk.
As long as I know she is watching,
I find ways to avoid pouring the Silk into my bowl.
When she leaves to hang the laundry,
I put the carton back in the refridge,
and begin picking cinnamon squares out of the bowl
to eat dry.
I cancel my plans for a shower and make a mental note
to avoid the bathroom,
where her lipsticks, shadows, lotions, and creams
sit around the sink, staring me down.
Staring at me as I beg my bladder
to empty itself faster, so that we can escape our audience.
"Hardly anything there!" "I'll bet
he's never been with a woman." "No, it's not much
to look at,"
the bottles of body lotion giggle.
I hurry with the button, the fly,
concealing my small manhood
in shame.
I've dressed and awkwardly situated myself in the blue Lazy Boy
by the time that Grandma comes back inside.
She looks at her reflection in the microwave,
guiding the fake blonde curls back into their place,
guiding the fake blonde curls back into their place,
before acknowledging me.
I wonder if I should say something.
I wonder if I should say something.
Then she grabs the car keys off a hook on the wall
and raises her penciled in eyebrows at me,.
The blue shadow sparkles in contrast to her dull eyes.
and raises her penciled in eyebrows at me,.
The blue shadow sparkles in contrast to her dull eyes.
"Groceries," she informs me.
Trailing Grandma in her grey sweat pants, I walk through the automatic doors
and am reintroduced into the world,
passing shoppers each on their own individual missions.
Produce, canned fruits, sauces, noodles, and crackers fill the cart.
As she waits for the apron and hair net
to bag her quarter pound of chipped smoked ham,
I survey the selection of bread,
lagging behind the cart and the meat conversation.
A head of red, ears pierced with peace signs
lagging behind the cart and the meat conversation.
A head of red, ears pierced with peace signs
brushes against my arm.
"Excuse me. I'm sorry. I didn't see you there, sorry."
My mouth produces these words and multiple variations on them rapidly.
I hold my hands up and then smile to show my sincerity,
probably a little over the top for bumping shoulders
at the grocery store,
but I'm happy to be out and even happier to see people,
going about their usual business,
unaware of who I am
or who I was.
Friday, April 6, 2012
Size Media
From the back of a studio theater,
a camera pans in over an audience of women,
It starts from the left
and sweeps over colorful silky
product infused hair
to the stage,
where a plush armchair and matching love seat
sit, facing each other.
The panning is accompanied by the sound of applause
and the whooping of the audience women
as the host makes her way out onto the stage,
looking infinitely more attractive
than any other woman selected
to be in the audience.
The camera singles in on her,
and she introduces the show
with zest that takes the form of smiles
and rehearsed laughter.
The women in the audience burst in
with applause at the appropriate points of excitement.
to tell us about how you turned your life around.
Two years ago,
you said to yourself --
Something's gotta give.
Why don't you tell us about it."
"Well Kate,
two years ago,
I weighed two-hundred and fifty pounds.
I was embarrassed and uncomfortable in my body,
*a picture of Shelby in a pair of size 22 jeans appears
on the screen, the audience of women sighs with sympathy or is it pity?*
and I knew I wasn't setting the example that I wanted to
for my children.
One day, after picking up the kids from daycare,
as I was trying to carry their backpacks and finger paintings
inside from the car, I decided that I was going to do something
about my weight.
Since then, I've lost over one hundred pounds."
*a picture of Shelby holding up her old jeans appears next to the old picture.
The audience bursts into enthusiastic applause*
Kate nods, smiles and claps along with the audience.
Her face says What an Inspiration
As the applause dies off,
Kate stops clapping and turns back to Shelby.
"What was going through your head
that day, getting home from daycare
with your children?"
"I was tired of feeling --"
*click*
The remote bounces once
on the cushion of the couch, and the backdoor opens
to the grass,
bare feet over belly fat.
Thursday, April 5, 2012
Sleep Walk
I wrote today's poem with a collection of magnets that I bought some time ago at a thrift store. I decorated the metal border under my window with the words as soon as I was back in my room, thinking I would use them daily for creative exercises. Sadly, with less than a month left in the semester, this is the first time that I have made a point of using them. I pushed a few words together once or twice, while avoiding homework. I remember the combination
season
of
love
seed
staring at me from my favorite spot by the window for about a month. Other silly pairs like "but crack" made appearances as well.The following poem, however, is the longest strain of magnet words I have yet to string together. Enjoy!
Wednesday, April 4, 2012
Tuesday, April 3, 2012
Ich habe das wort Apfel gelernt
"Guten morgen"
"Gut geschlafen?"
"Ja"
Du liest mir ein buch vor.
Du sagst "Du machst mich glücklich,
meine liebe."
...
Das feld
Der berg
Du sagst "meine liebe"
aber du sagst nein.
Nein nein nein und nein
meine liebe
...
Das licht, die wand, die tür
Ich mache die tür auf.
"Gut geschlafen?"
"Ja"
Du liest mir ein buch vor.
Du sagst "Du machst mich glücklich,
meine liebe."
...
Das feld
Der berg
Du sagst "meine liebe"
aber du sagst nein.
Nein nein nein und nein
meine liebe
...
Das licht, die wand, die tür
Ich mache die tür auf.
Monday, April 2, 2012
Elementary Decisions
There are 10 people --
one rope.
The last event of the day
and the mothers have their cameras out.
The brick school is behind.
Miss Fisher's room
(and it's Miss. Fisher, you hear?
Mrs. Fisher is my mother)
has a window with a nice view
of the scene,
but no one's inside today
to watch out the windows.
Mrs. Groff, blue shorts
and tight tan calves, stands
by the orange cone.
It looks like a witches hat
but more erect,
more stolid,
more ...orange.
Maybe it doesn't look like a witch's hat after all.
They line up,
facing each other.
They lift the rope off the ground,
red hankies tied to its middle, marking the win.
The whistle is in her mouth.
Everyone knows what they want --
except for the rope.
one rope.
The last event of the day
and the mothers have their cameras out.
The brick school is behind.
Miss Fisher's room
(and it's Miss. Fisher, you hear?
Mrs. Fisher is my mother)
has a window with a nice view
of the scene,
but no one's inside today
to watch out the windows.
Mrs. Groff, blue shorts
and tight tan calves, stands
by the orange cone.
It looks like a witches hat
but more erect,
more stolid,
more ...orange.
Maybe it doesn't look like a witch's hat after all.
They line up,
facing each other.
They lift the rope off the ground,
red hankies tied to its middle, marking the win.
The whistle is in her mouth.
Everyone knows what they want --
except for the rope.
Sunday, April 1, 2012
National Poetry Month -- Part Two
April is a month
30 days in length
Today is April first,
(15 more minutes for a prank!)
but this is not a joke,
my friends,
I'm telling you the truth,
that by the time that May arrives
I'll have some poems for you.
30 to be exact --
a poem every day.
I'm counting on some sloppy ones,
but I think that it's okay
to write a rhyme-y silly thing
at 11:48
Just to keep the poems coming
each by its due date.
30 days in length
Today is April first,
(15 more minutes for a prank!)
but this is not a joke,
my friends,
I'm telling you the truth,
that by the time that May arrives
I'll have some poems for you.
30 to be exact --
a poem every day.
I'm counting on some sloppy ones,
but I think that it's okay
to write a rhyme-y silly thing
at 11:48
Just to keep the poems coming
each by its due date.
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